On Thursday, May 30, The Lab in San Francisco will celebrate the 10th anniversary of the International Noise Conference. The event will tour the U.S. through June, led by Rat Bastard and his headli…

“… will feature Zeek Sheck, Wiggwaum,Wobbly, Moe! Staiano, Commode Minstrels in Bullface, Murder Murder, Headboggle, Pigs in the Ground,Weather And (Nicole of Head/Head, Julia of Waxy Tombs, and Madalyn Merkey), Tinker/Wang, A White Hunter, and Ettrick….”

more info:

http://thelab.org/schedule/events/694-international-noise-conference.html
https://www.facebook.com/events/173997479425289/

sicsic056 - Headboggle - Hillboggle LATE JUNE 2013!

https://soundcloud.com/sicsic/sicsic056-headboggle#play

coming late June http://www.sicsic.de/

      De. and Da. Gedalecia present : H I L L B O G G L E 

for your lessening pleasure … a genuine real cassette tape album

dobro, banjo, piano, keyboards, and electronics 

Friday, April 12, 2013, 8:00 pm, $6

Free Form: Music & Image with Wiggwaum, Headboggle, Shelton/Forbes/Young/Heule, Mike D & Doug Katelus.

Wiggwaum (with film by Doug Katelus)
Doug Katelus & Randylee Sutherland, with newest member Matt Hartman, lead you toward the brain center, nervous center, soul center, through the ears. Wiggwaum is a spell of reeds, vox, percussion and A100 Hammond organ; amped up, melted, cracked up, splitting out sounds. “Sounds like death via sasquatch.”
Randylee Sutherland, percussion
Doug Katelus, Hammond Organ
Matt Hartman, Electric Saxophone
http://www.youtube.com/watch?v=ciOd8hIKAFs

Aram Shelton: alto sax
Mike Forbes: tenor sax
Andrew Scott Young: bass
Jacob Felix Heule: drums
21st century energy music featuring 2/3rds of Chicago’s Tiger Hatchery joined by Bay Area stalwarts.
https://soundcloud.com/jacob-felix/heule-forbes-shelton-live-at

Headboggle (with video by Mike D)
A self described “culmination of diverging unsound musical and accidental pursuits…” He studied Classical and Ragtime piano under noted Ragtime Revivalist Dr. Brian Dykstra. Influences may/not include Bartok, Scott Joplin, and Morton Subotnick, Eno’s Oblique Strategies, Andy Kaufman, and John Cage. A typical performance might include live analog synthesizer improvisation over a prepared backing. Backing sounds are usually multritracked soundscapes featuring unique field recordings and other synthetic treatments.
http://www.youtube.com/watch?v=sl9sfuTVJZc

https://www.facebook.com/events/144395442391003/

COME TO THE JAY KORBER FESTIVUS PELVICUS BENEFIT THIS

SATURDAY MARCH 30 (and also sunday march 31)

ALL DAY MUSIC, FOOD, and FESTIVUS !!

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Derek Gedelecia, keyboardist from Headboggle, will be performing an extended solo piano set (~25min) at 5:30pm (3/30)

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Wednesday, March 27  8:30pm, $6 Head-Boggle / Forrest Friends (Seattle) / Take Up Serpents @ Hemlock Tavern S.F

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•       Head-Boggle : LIVE — with visuals by Caitlin Denny /// https://soundcloud.com/headboggle
•       Forrest Friends : LIVE, on tour from Seattle ///
• https://soundcloud.com/forrest-friends
•      Take Up Serpents : LIVE, rare appearance

aquarius records : “Take Up Serpents: “A head spinning blown out collage of processed sounds, fractured percussion, treated noise, warped feedback, a roiling, pulsing, swirling blur of muted rhythms, in-the-red sheets of sound, twisted and melting melodies, all framed by a strange narrator, his voice processed and transformed into something totally alien, a nonstop stream of political and paranoid invective, warnings, threats, advice and all manner of all woven and tangled in the ever shifting fields of abstract whir and skree. Warped tapes wrap around mumbled chants, everything hissy and hazy and washed out, bits of dialogue from films (?), field recordings, plenty of tape hiss, and degraded crumbling distortion, occasional stretches of spare almost ambience, but even those brief respites are laced with haunting sonic filigree, creaks and groans, clatter and clanks, whispers and rumbles, occasional bursts of tribal drumming pepper the streaks of high end and the stuttering low register whir, throbbing, pulsing, hypnotic and heavy in its own way. This is definitely noise, but more textural and sculpted, than just white out ear shredding pummel, plenty rhythmic, with loads of low end creep, and howling chaotic crunch, all the disparate sounds woven into a super freaky, otherworldly alien transmission from some other plane.” - Aquarius Records”

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